{"id":91807,"date":"2022-08-22T12:53:25","date_gmt":"2022-08-22T12:53:25","guid":{"rendered":"https:\/\/museodellasedia.com\/en\/?page_id=91807"},"modified":"2023-09-07T15:29:49","modified_gmt":"2023-09-07T15:29:49","slug":"paolo-lomazzi","status":"publish","type":"page","link":"https:\/\/museodellasedia.com\/en\/collections\/designer\/ijklmn\/paolo-lomazzi\/","title":{"rendered":"Paolo Lomazzi"},"content":{"rendered":"

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Paolo Lomazzi\u2019s collaboration with Jonathan De Pas and Donato D\u2019Urbino began in 1966. In the 60\u2019s-70\u2019s they developed a specific interest in creating furniture and temporary architecture with industrially advanced materials and technology. They designed and built a series of pneumatic structures for the Italian Pavilion at the World Exposition in Osaka, for the XIV Triennale of Milan and for Eurodomus. In 1967 they designed an inflatable armchair called Blow and since then have been working in the industrial design field.<\/p>\n

They planned and built industrial and residential buildings and extended their focus to the diverse areas of industrial products: home and office equipment, lighting, electronics, bathroom fixtures, etc. Their designs have been produced by well known companies such as: Acerbis, Alessi, Artemide, BBB Bonacina, Bellato-Pallucco, Bonacina Pierantonio, Bonaldo, Cassina-Marcatre, Driade, De Padova, Giannini, Lualdi Porte, Lumina Italia, MDF Italia, Naos, Valli & Valli, Poltronova, Quattrocchio, Robots, Scavolini, Stilnovo, Tonelli, Zanotta, Zerodisegno, Roset, Koizumi, and Santa&Cole.<\/p>\n

Since 1970 they have participated in many exhibitions, including the Triennale, the Eurodomus, \u201cItaly: The New Domestic Landscape\u201d at MOMA in New York in 1972, the Bio in Ljubljana and in many Compasso d\u2019Oro and ADI travelling exhibitions.<\/p>\n

They designed interiors and objects for several prestigious institutions: the ritual lamps for the Jerusalem Museum, the SAD exhibitions in Paris (1985 and 1987), the United Nations\u2019s booth at the XVII Triennale (1988), the fittings for \u201cItalianische Mobel Design 1950\/80\u201d held at the Staadtmuseum in Cologne (1982) and for SIAL in Paris (1992) ordered by ICE.<\/p>\n

In 1983 they took part in the Scientific and Organizing Committee of the ICSID Congress. They have received much recognition and many awards, including the Compasso d\u2019Oro of 1979, awards at the Bio 7 (1977) and Bio 9 (1981) in Ljubljana, the Design Award Winner of 1998 in Hannover, the Wallpaper Design Awards \u201cBest Domestic Design\u201d in 2009.<\/p>\n

Their works are in the design collections of several museums, including: the Museum of Modern Art and The Brooklyn Museum of Art in New York, The Denver Art Museum in Colorado, the Philadelphia Museum of Art, the Victoria and Albert Museum in London, the Design Museum of London, the Kunstgewerbe Museums in Zurich and Berlin, the Staatliches Museum fur angewandte Kunst in Munich, the Centre Pompidou in Paris, the Jerusalem Museum in Israel, the Triennale in Milan, and the Vitra Design Museum in Weil-am-Rhein.<\/p>\n

The historical literature on Italian design and the major international publications about architecture and design document their work. Feature articles on their work have been published by, among others, \u201cJapan Interior Design\u201d in 1977. In 1989 Rima Editrice published the monograph De Pas D\u2019Urbino Lomazzi by Fabio Conti. In 2011 a further more complete monograph titled De Pas D\u2019Urbino Lomazzi was dedicated to their work by Daniele Baroni and Santino Limonta for the RDE types \u2013 Ricerche Design Editrice. Hachette published a monograph on their works in 2011. Others monographs were dedicated to the studio by Vanni Pasca (De Pas, D\u2019Urbino e Lomazzi. Il gioco e le regole, 2012), Maria Teresa Feraboli (L\u2019archivio dello Studio De Pas, D\u2019Urbino, Lomazzi, \u201cI Quaderni del CASVA\u201d, n\u00b013, 2012 and Opere e progetti, 2013).<\/p>\n

In 1987, the exhibition \u201cDe Pas, D\u2019Urbino, Lomazzi\u201d was inaugurated at the temple Daikaku-Ji, Kyoto and in 1992. A monographic exposition named \u201cA three voiced choir\u201d was organized in 1992 in the IZM Tokyo Gallery of the Koizumi firm. In 2011 a further monographic exposition with the same title, to testify the firm\u2019s activity, was organized by the ISAI (Istituto Superiore Architettura Interni Pier Giacomo Castiglioni) of Vicenza at the gallery Lanificio Conte di Schio (VI). \u201cThe game and the Rules\u201d is the title of the monographic exposition dedicated by the Triennale of Milan to their work in 2012. An other exposition was organized in 2012 at Politecnico di Milano: \u201cLa \u2018freschezza dell\u2019idea\u2019. De Pas, D\u2019Urbino, Lomazzi\u201d. In 2013 an exibition was organized in Geneve at Arcadia Gallery.<\/p>\n

The archive recording their work was declared of \u201cparticular historical interest\u201d by the Minister for Cultural Patrimony and Activities. It was donated in 2010 to the CASVA (Centro di Alti Studi sulle Arti Visive) of Milan to allow conservation and consultation.<\/p>\n

Jonathan De Pas passed away in 1991. D\u2019Urbino and Lomazzi have continued to work together until 2017. Now they continue their activities independently.<\/p>\n

The designing activities of Paolo Lomazzi go together with teaching at the Faculty of Design of the Politecnico of Milan since 2001 to 2007, the IUAV of Venice since 2005 to 2010, the ISAI of Vicenza since 2010 to 2015.<\/p>\n

In 2018 received the ADI Compasso d\u2019Oro Career award.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”5″ top_padding=”6″ bottom_padding=”6″ back_color=”color-100831″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” uncode_shortcode_id=”174810″ back_color_type=”uncode-palette”][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”0″ override_padding=”yes” column_padding=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ align_medium=”align_center_tablet” medium_width=”0″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”1\/1″][vc_custom_heading text_color=”color-rgdb” heading_semantic=”h3″ text_font=”font-202503″ text_size=”h1″ text_space=”fontspace-781688″ css_animation=”alpha-anim” animation_delay=”400″ uncode_shortcode_id=”139100″ text_color_type=”uncode-palette”]Paolo Lomazzi[\/vc_custom_heading][vc_empty_space empty_h=”1″][vc_column_text css_animation=”alpha-anim” animation_delay=”600″ uncode_shortcode_id=”126728″]<\/p>\n

Paolo Lomazzi\u2019s collaboration with Jonathan De Pas and Donato D\u2019Urbino began in 1966. In the 60\u2019s-70\u2019s they developed a specific interest in creating furniture and temporary architecture with industrially advanced materials and technology. They designed and built a series of pneumatic structures for the Italian Pavilion at the World Exposition in Osaka, for the XIV Triennale of Milan and for Eurodomus. In 1967 they designed an inflatable armchair called Blow and since then have been working in the industrial design field.<\/p>\n

They planned and built industrial and residential buildings and extended their focus to the diverse areas of industrial products: home and office equipment, lighting, electronics, bathroom fixtures, etc. Their designs have been produced by well known companies such as: Acerbis, Alessi, Artemide, BBB Bonacina, Bellato-Pallucco, Bonacina Pierantonio, Bonaldo, Cassina-Marcatre, Driade, De Padova, Giannini, Lualdi Porte, Lumina Italia, MDF Italia, Naos, Valli & Valli, Poltronova, Quattrocchio, Robots, Scavolini, Stilnovo, Tonelli, Zanotta, Zerodisegno, Roset, Koizumi, and Santa&Cole.<\/p>\n

Since 1970 they have participated in many exhibitions, including the Triennale, the Eurodomus, \u201cItaly: The New Domestic Landscape\u201d at MOMA in New York in 1972, the Bio in Ljubljana and in many Compasso d\u2019Oro and ADI travelling exhibitions.<\/p>\n

They designed interiors and objects for several prestigious institutions: the ritual lamps for the Jerusalem Museum, the SAD exhibitions in Paris (1985 and 1987), the United Nations\u2019s booth at the XVII Triennale (1988), the fittings for \u201cItalianische Mobel Design 1950\/80\u201d held at the Staadtmuseum in Cologne (1982) and for SIAL in Paris (1992) ordered by ICE.<\/p>\n

In 1983 they took part in the Scientific and Organizing Committee of the ICSID Congress. They have received much recognition and many awards, including the Compasso d\u2019Oro of 1979, awards at the Bio 7 (1977) and Bio 9 (1981) in Ljubljana, the Design Award Winner of 1998 in Hannover, the Wallpaper Design Awards \u201cBest Domestic Design\u201d in 2009.<\/p>\n

Their works are in the design collections of several museums, including: the Museum of Modern Art and The Brooklyn Museum of Art in New York, The Denver Art Museum in Colorado, the Philadelphia Museum of Art, the Victoria and Albert Museum in London, the Design Museum of London, the Kunstgewerbe Museums in Zurich and Berlin, the Staatliches Museum fur angewandte Kunst in Munich, the Centre Pompidou in Paris, the Jerusalem Museum in Israel, the Triennale in Milan, and the Vitra Design Museum in Weil-am-Rhein.<\/p>\n

The historical literature on Italian design and the major international publications about architecture and design document their work. Feature articles on their work have been published by, among others, \u201cJapan Interior Design\u201d in 1977. In 1989 Rima Editrice published the monograph De Pas D\u2019Urbino Lomazzi by Fabio Conti. In 2011 a further more complete monograph titled De Pas D\u2019Urbino Lomazzi was dedicated to their work by Daniele Baroni and Santino Limonta for the RDE types \u2013 Ricerche Design Editrice. Hachette published a monograph on their works in 2011. Others monographs were dedicated to the studio by Vanni Pasca (De Pas, D\u2019Urbino e Lomazzi. Il gioco e le regole, 2012), Maria Teresa Feraboli (L\u2019archivio dello Studio De Pas, D\u2019Urbino, Lomazzi, \u201cI Quaderni del CASVA\u201d, n\u00b013, 2012 and Opere e progetti, 2013).<\/p>\n

In 1987, the exhibition \u201cDe Pas, D\u2019Urbino, Lomazzi\u201d was inaugurated at the temple Daikaku-Ji, Kyoto and in 1992. A monographic exposition named \u201cA three voiced choir\u201d was organized in 1992 in the IZM Tokyo Gallery of the Koizumi firm. In 2011 a further monographic exposition with the same title, to testify the firm\u2019s activity, was organized by the ISAI (Istituto Superiore Architettura Interni Pier Giacomo Castiglioni) of Vicenza at the gallery Lanificio Conte di Schio (VI). \u201cThe game and the Rules\u201d is the title of the monographic exposition dedicated by the Triennale of Milan to their work in 2012. An other exposition was organized in 2012 at Politecnico di Milano: \u201cLa \u2018freschezza dell\u2019idea\u2019. De Pas, D\u2019Urbino, Lomazzi\u201d. In 2013 an exibition was organized in Geneve at Arcadia Gallery.<\/p>\n

The archive recording their work was declared of \u201cparticular historical interest\u201d by the Minister for Cultural Patrimony and Activities. It was donated in 2010 to the CASVA (Centro di Alti Studi sulle Arti Visive) of Milan to allow conservation and consultation.<\/p>\n

Jonathan De Pas passed away in 1991. D\u2019Urbino and Lomazzi have continued to work together until 2017. Now they continue their activities independently.<\/p>\n

The designing activities of Paolo Lomazzi go together with teaching at the Faculty of Design of the Politecnico of Milan since 2001 to 2007, the IUAV of Venice since 2005 to 2010, the ISAI of Vicenza since 2010 to 2015.<\/p>\n

In 2018 received the ADI Compasso d\u2019Oro Career award.<\/p>\n

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They designed and built a series of pneumatic structures for the Italian Pavilion at the World Exposition in Osaka, for the XIV Triennale of Milan and for Eurodomus. In 1967 they designed an inflatable armchair called Blow and since then have been working in the industrial design field.\r\n\r\nThey planned and built industrial and residential buildings and extended their focus to the diverse areas of industrial products: home and office equipment, lighting, electronics, bathroom fixtures, etc. Their designs have been produced by well known companies such as: Acerbis, Alessi, Artemide, BBB Bonacina, Bellato-Pallucco, Bonacina Pierantonio, Bonaldo, Cassina-Marcatre, Driade, De Padova, Giannini, Lualdi Porte, Lumina Italia, MDF Italia, Naos, Valli & Valli, Poltronova, Quattrocchio, Robots, Scavolini, Stilnovo, Tonelli, Zanotta, Zerodisegno, Roset, Koizumi, and Santa&Cole.\r\n\r\nSince 1970 they have participated in many exhibitions, including the Triennale, the Eurodomus, \u201cItaly: The New Domestic Landscape\u201d at MOMA in New York in 1972, the Bio in Ljubljana and in many Compasso d\u2019Oro and ADI travelling exhibitions.\r\n\r\nThey designed interiors and objects for several prestigious institutions: the ritual lamps for the Jerusalem Museum, the SAD exhibitions in Paris (1985 and 1987), the United Nations\u2019s booth at the XVII Triennale (1988), the fittings for \u201cItalianische Mobel Design 1950\/80\u201d held at the Staadtmuseum in Cologne (1982) and for SIAL in Paris (1992) ordered by ICE.\r\n\r\nIn 1983 they took part in the Scientific and Organizing Committee of the ICSID Congress. They have received much recognition and many awards, including the Compasso d\u2019Oro of 1979, awards at the Bio 7 (1977) and Bio 9 (1981) in Ljubljana, the Design Award Winner of 1998 in Hannover, the Wallpaper Design Awards \u201cBest Domestic Design\u201d in 2009.\r\n\r\nTheir works are in the design collections of several museums, including: the Museum of Modern Art and The Brooklyn Museum of Art in New York, The Denver Art Museum in Colorado, the Philadelphia Museum of Art, the Victoria and Albert Museum in London, the Design Museum of London, the Kunstgewerbe Museums in Zurich and Berlin, the Staatliches Museum fur angewandte Kunst in Munich, the Centre Pompidou in Paris, the Jerusalem Museum in Israel, the Triennale in Milan, and the Vitra Design Museum in Weil-am-Rhein.\r\n\r\nThe historical literature on Italian design and the major international publications about architecture and design document their work. Feature articles on their work have been published by, among others, \u201cJapan Interior Design\u201d in 1977. In 1989 Rima Editrice published the monograph De Pas D\u2019Urbino Lomazzi by Fabio Conti. In 2011 a further more complete monograph titled De Pas D\u2019Urbino Lomazzi was dedicated to their work by Daniele Baroni and Santino Limonta for the RDE types \u2013 Ricerche Design Editrice. Hachette published a monograph on their works in 2011. Others monographs were dedicated to the studio by Vanni Pasca (De Pas, D\u2019Urbino e Lomazzi. Il gioco e le regole, 2012), Maria Teresa Feraboli (L\u2019archivio dello Studio De Pas, D\u2019Urbino, Lomazzi, \u201cI Quaderni del CASVA\u201d, n\u00b013, 2012 and Opere e progetti, 2013).\r\n\r\nIn 1987, the exhibition \u201cDe Pas, D\u2019Urbino, Lomazzi\u201d was inaugurated at the temple Daikaku-Ji, Kyoto and in 1992. A monographic exposition named \u201cA three voiced choir\u201d was organized in 1992 in the IZM Tokyo Gallery of the Koizumi firm. In 2011 a further monographic exposition with the same title, to testify the firm\u2019s activity, was organized by the ISAI (Istituto Superiore Architettura Interni Pier Giacomo Castiglioni) of Vicenza at the gallery Lanificio Conte di Schio (VI). \u201cThe game and the Rules\u201d is the title of the monographic exposition dedicated by the Triennale of Milan to their work in 2012. An other exposition was organized in 2012 at Politecnico di Milano: \u201cLa \u2018freschezza dell\u2019idea\u2019. De Pas, D\u2019Urbino, Lomazzi\u201d. In 2013 an exibition was organized in Geneve at Arcadia Gallery.\r\n\r\nThe archive recording their work was declared of \u201cparticular historical interest\u201d by the Minister for Cultural Patrimony and Activities. It was donated in 2010 to the CASVA (Centro di Alti Studi sulle Arti Visive) of Milan to allow conservation and consultation.\r\n\r\nJonathan De Pas passed away in 1991. D\u2019Urbino and Lomazzi have continued to work together until 2017. Now they continue their activities independently.\r\n\r\nThe designing activities of Paolo Lomazzi go together with teaching at the Faculty of Design of the Politecnico of Milan since 2001 to 2007, the IUAV of Venice since 2005 to 2010, the ISAI of Vicenza since 2010 to 2015.\r\n\r\nIn 2018 received the ADI Compasso d\u2019Oro Career award.\r\n","_seopress_robots_index":"","footnotes":""},"class_list":["post-91807","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/museodellasedia.com\/en\/wp-json\/wp\/v2\/pages\/91807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museodellasedia.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/museodellasedia.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/museodellasedia.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museodellasedia.com\/en\/wp-json\/wp\/v2\/comments?post=91807"}],"version-history":[{"count":2,"href":"https:\/\/museodellasedia.com\/en\/wp-json\/wp\/v2\/pages\/91807\/revisions"}],"predecessor-version":[{"id":92719,"href":"https:\/\/museodellasedia.com\/en\/wp-json\/wp\/v2\/pages\/91807\/revisions\/92719"}],"up":[{"embeddable":true,"href":"https:\/\/museodellasedia.com\/en\/wp-json\/wp\/v2\/pages\/89058"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museodellasedia.com\/en\/wp-json\/wp\/v2\/media\/91789"}],"wp:attachment":[{"href":"https:\/\/museodellasedia.com\/en\/wp-json\/wp\/v2\/media?parent=91807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}