Figli di Amedeo Cassina Ico Parisi 110 | 1961
Chair produced by Cassina, design Ico Parisi, model 110, year 1961. The structure of the chair is made of rosewood. The front legs are straight, joined to the rear ones by four crosspieces, the lateral ones of which are curved. The rear legs extend upwards to support the backrest, characterized by the alternation of wooden slats and padded parts. The rectangular seat is covered in brown leather with Caspolyn padding.
Production ended in 1968.
Set of two chairs in excellent vintage condition.
Museo Della Sedia Collection.
| Weight | 46 cm (seat height) |
|---|---|
| Dimensions | 78 × 45 × 53 cm (height length depth ) |
Repertorio 1950 1980. Images and contributions for a history of Italian furniture, page 169.
Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Turin, 2003, page 87.
Photographs from a private collection (Museo Della Sedia) of vintage Italian design chairs. © All rights reserved.
Send us information, suggestions or corrections from our contact page.
Figli di Amedeo Cassina Ico Parisi 110 | 1961
Chair produced by Cassina, design Ico Parisi, model 110, year 1961. The structure of the chair is made of rosewood. The front legs are straight, joined to the rear ones by four crosspieces, the lateral ones of which are curved. The rear legs extend upwards to support the backrest, characterized by the alternation of wooden slats and padded parts. The rectangular seat is covered in brown leather with Caspolyn padding.
Production ended in 1968.
Set of two chairs in excellent vintage condition.
Museo Della Sedia Collection.
| Weight | 46 cm (seat height) |
|---|---|
| Dimensions | 78 × 45 × 53 cm (height length depth ) |
Repertorio 1950 1980. Images and contributions for a history of Italian furniture, page 169.
Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Turin, 2003, page 87.
Photographs from a private collection (Museo Della Sedia) of vintage Italian design chairs. © All rights reserved.
Send us information, suggestions or corrections from our contact page.
